The Princess Ending Explained (In Detail)

The Hulu Action Movie Princess delivers a lean, violent thriller that culminates in an epic final act. Directed by Le-Van Kiet, Princess sees its unnamed protagonist fight their way through a castle full of henchmen of the evil Lord Julius trying to prevent a forced marriage that will yield his kingdom. The ending of the film reflects the symbolism that has been used throughout Princess and brings the story to a bloody conclusion.

Princess uses a minimalist, action-packed plot. Before the film begins, the protagonist princess storms out of her marriage to Julius, which is designed to provide the kingdom with a clear heir. This leads to her being imprisoned atop the castle, which she must fight her way through. Since its release on Hulu, Princess received positive reviews for its action scenes and strong performances.


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As the film draws to a close, the main character of Princess, played by Joey King, is captured by Julius. So far, his plan has been to marry her and take over the kingdom through quasi-legal means. However, after seeing how resilient she has been, he decides to kill her and marry her younger sister, Violet, instead. The princess is thrown out of a window into the sea below but is able to survive and get revenge with the help of her former mentor Linh. Along the way, she must battle a number of towering guards and Julius’ right-hand man, Moira, before reaching the final showdown with her would-be usurper.

Julius’ Plan Explained

Joey King as the Princess

The essence of PrincessThe end of is the threat to the Nameless Kingdom posed by Lord Julius, played by Preacher starring Dominic Cooper. Julius plans to take advantage of the patriarchal inheritance laws that were common in medieval Europe. Whereas Princess is not defined in any specific country, it is suggested that the kingdom used a system of male primogeniture similar to monarchies in countries like Spain and ancient France. In this system, inheritance passes to the king’s eldest son and, if he has no sons, to his brother or another closest male relative. It was probably not an option in Princess.

While male primogeniture systems generally do not give inheritance rights to daughters’ husbands, many families in Europe in the 20th century found themselves in a situation where their daughters had to marry to obtain an inheritance (as in stories fictitious as Downton Abbey with the legacy of Lord Grantham and the central conflict Pride and Prejudice). It’s no exaggeration to imagine that this fictional kingdom might have different rules of succession allowing sons-in-law to inherit. Leaving the kingdom to Julius was perhaps seen as safer than allowing it to be potentially challenged by different relatives, a situation which the infamous Julius takes advantage of by forcing a marriage at the point of a sword that would make him the legal heir.

Although he clearly has more military might at his disposal than the unnamed royal family, Julius still feels the need to go through a fake marriage when he has already seized the castle by force. Royal lineage was taken very seriously by both the nobility and much of the general public in medieval Europe, with claims of succession generally being used as a cause or pretext for wars (as with Stannis’ claim in game of thrones). Julius may have felt that he still needed the legitimacy of a royal marriage to ensure that the populace would obey him and that he would be recognized by other nobles. However, at the time Princess is coming to an end, this plan is obviously unrealizable.

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The symbolism of the final fight of the princess

Joey King in The Princess

The last act of Princess is full of symbolism that reinforces the themes of the film. The road to the final battle begins with the princess, her mentor Linh, and her younger sister Violet getting supplies from the castle’s armory. The all-female team reflects how the three young women were brought together by the patriarchal violence of their society. Throughout the film, the protagonist gradually lost all of her “princess” trappings, with her long dress being torn and bloodied, drawing inspiration from Joey King’s horror background to convey the physical nature of her battles. Putting on more formal armor, she completely abandons the princess identity and becomes a warrior.

The final fight plays out like a mini-tournament of sorts, with the princess battling Moira and Linh attempting to defeat Lord Julius, leading to the final showdown between the princess and Julius. Before the battle, Julius puts the fallen crown on his head, an image Kiet’s leadership dwells on. Finally, wearing the crown suggests that Julius has given up on his plan to add a sense of legitimacy to his conquest through marriage, and he’s now content to rule by force alone – which puts all the royals in dramatically more danger. .

The battle sees Julius gain an advantage, but ultimately gets distracted while delivering a monologue worthy of a Bond villain. Having seen the people who were subjugated in marriage flee, he knows his control over the population is slipping and tries once again to emphasize his power. The princess is able to channel Linh’s previous advice to be patient, then strike quickly, finding the opportunity to chop off her head. Decapitation as a means of killing is also symbolically charged, recalling famous acts of regicide such as the beheading of Louis XVI as well as the metaphor of the king as ‘head of state’.

The true meaning of princess

princess review

Princess is obviously meant to be a largely symbolic story. Very few details are provided about the surrounding realm or world, and the characters are all very straightforward. There’s a reason the princess isn’t named – she’s meant to be more of an archetype than a real person, and everyone in the story only sees her as her role and not an individual apart. whole. The story is therefore designed as a subversion of the common “princess in a castle” trope in which the archetypal princess only exists to be saved by someone else.

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The end of Princess sees the protagonist named royal successor, raising the question of why the king couldn’t have done this in the first place. The film suggests that the princess had to demonstrate her strength and courage to both her parents and the general public – represented by the spectators of the final battle – before being accepted. The end of Princess thus cements the story as a tale of violent overcoming of patriarchal tradition, revealing that the princess is more than just a princess.

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